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#311
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Lets bump these to the top of the list. I picked them up through this thread and they all look like amateur posers. They look like true ENF's. It takes quite a while to go thru this entire thread. Its a fantastic idea.
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#312
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someone please decode the girl in black
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#313
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I'm not afraid of a challenging task. But sometimes I have to determine the merit of a picture before attempting to do the near-impossible. The amount of time required is weighed against the potential outcome. If I don't feel the results are worth the effort, I'll move on to an image I think I can justify working on. Also, welcome to cokesnoopy! Looks like we have another asset we can merge with our collective talent. |
#314
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#315
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Lump, if no one else can help you out send me a messge through this site.
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#316
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Thanks to all of you guys doing the great editing work for all of us to enjoy
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#317
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Well, what do you think?
__________________
FOOLTHEREWAS |
#318
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Actually This Pick is a good exp. Of What can be done, and not done.
The Girl with the Black Shirt. 1)Thick Meterial Will not allow Light to go through. When Changing Color levels. You can see the scattering of the light off of the shirt. You will notice the multiple speckles. Where the Black Shirt used to be. These Speckles are the light reflecting off of the Black Dress. (Think of X-rays hitting a Lead Vest.) Simple: The Light must GO Through The Shirt. To get the X-ray effect. The Girl with the White shirt. 1) Thin Shirt covering Bra. The Bra is Thick. Thus I am unable to X-ray through the Bra. But notice the Shirt is see through. Why, The shirt is thin Which allows light to go through. By So doing, I can illuminate what's Underneath. And then Enhance the Color patterns to Reveal What's Underneath. (Think of x-rays going through the shirt and hitting a lead Bra.) Now if The Girl was not wearing a Bra. Then Yes, The x-ray effect would Work. Quote:
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#319
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Very impressive.
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#320
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There are a number of ways to do this. Half the battle is revealing the hidden stuff (which you've been able to do). The remaining half is to put the two pieces back together in a natural (or more natural) way. Blending is your friend when you reach this point. I'm offering this feedback to help constructively as you improve your techniques. Try experimenting with the levels once you've revealed the hidden features. See if you can get the skin tones close to the rest of the body. Then, try blending the edges around the selected area. I think you might be surprised by what you are capable of doing once you practice with these techniques for a while. |
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