|
Our forum has over 13 million
photos, videos and .ZIP files.
uploaded by our members!
|
|
#1
|
|||
|
|||
|
The yacht sways gently beneath my feet, the deck warm from the afternoon sun. I set down my phone, Sean's message still glowing on the screen—See you at the usual place, 8PM—and smooth my blazer over the torn silk camisole beneath. The bite mark on my collarbone pulses faintly, a secret beneath the fabric.
"Busy until noon," I reply, which was true. Now it's past three, and I have documents waiting for me in a tower block downtown. Papers I leave behind after a meeting two days ago, before the Faena, before the night that stretches into morning with a man who thinks he could trap me. I step off the yacht into the waiting car, the leather seat swallowing me with its familiar coolness. The driver knows the address without my saying. We glide through Miami traffic, the city golden and lazy in the late afternoon heat, my thighs still trembling with the memory of exertion, the satisfied hum of a body well-used thrumming beneath my skin. The tower block rises before us, all glass and ambition, the kind of building that houses shell companies and backroom deals. I take the elevator to the fourteenth floor, my heels clicking a rhythm against the marble, my bag swinging heavy with the recording device inside—insurance, always insurance. My office sits at the end of the hallway, corner windows, panoramic view of the water. I reach for the handle, and the door swings open before I touch it. Marcus Vance sits in my chair. He's smaller than I remember, diminished somehow by the daylight streaming through the windows, the audacity of his presence already cracking at the edges. Behind him stands a man I don't recognize—tall, broad, dark skin gleaming with the sheen of someone who spends hours in a gym, someone built for intimidation. "Marcus," I say, my voice carrying that particular lilt of amusement I reserve for men who overreach. "You've made yourself comfortable." He doesn't stand. The gun on the desk gleams dully, a prop more than a threat. I've faced worse. The camcorder beside it, small and red-eyed, blinks with its recording light. "You thought you were clever," Marcus says, and his voice has that quality of a man who has rehearsed this moment, who has played it in his head until the real thing feels like a disappointment. "Humiliating my associate. Walking away like you owned the world." I laugh. The sound fills the room, genuine and warm, the kind of laugh that makes men uncertain. "Is this revenge, Marcus? Really?" I step inside, letting the door close behind me with a soft click. "You brought a gun and a camera. Did you bring a script too?" The man behind him—Dwayne, I assume—shifts his weight. His hands hang heavy at his sides, fingers thick with rings. I can see the outline of him through his clothes, the bulk of muscle that means nothing if you don't know how to use it. "No man could handle me, Marcus." I spread my hands, a gesture of invitation and dismissal. "You should know that by now. They all get what they are coming for. This—" I gesture at the gun, at Dwayne, at the absurdity of it all "—this is a joke. A bad one." Marcus picks up the gun. The movement is theatrical, slow, designed to impress. He points it at my chest, and I feel nothing. I've had worse pointed at me. I've had worse done to me and walked away smiling. "It's no joke," he says, and his voice cracks on the last word, betraying him. The camcorder's red eye blinks. Dwayne steps forward, and I smell him—clean sweat, expensive cologne, the particular musk of a man who has been waiting. His hands move to his belt, and I understand the shape of this now. The recording. The gun. The attempt to break what cannot be broken. I have no choice. The gun ensures that. But I have never been a woman who accepts terms without negotiation. "My pussy is that good," I say, and the vulgarity lands precisely, a coin dropped in a slot. "If I break him in first—" I nod at Dwayne, who has frozen mid-motion "—I get paid double. Triple, if you want to record it." Marcus blinks. The gun wavers. This is not how he imagined this proceeding, the power slipping from his grasp like water through fingers. "Double," he says, because he needs to say something, needs to reclaim the moment. "Double," I agree, and smile. "Shall we begin?" Dwayne looks to Marcus, who nods, the gun still pointing, still unnecessary. The big man steps forward again, and this time I look at him properly. The thickness of his neck, the strain of his shoulders against his shirt, the unmistakable bulge already pressing against his zipper. He is large. They always are. They think size is enough. He frees himself, and I see that he is huge, truly—thick and dark and heavy in his hand, a weapon more credible than the gun on the desk. He steps closer, and I smell the heat of him, the anticipation making him tremble. I step out of my heels. The carpet is soft beneath my bare feet. I peel down my trousers, the silk sliding away, leaving me in the torn camisole and nothing else. I could keep the stockings, but I don't—I want him to feel all of me, every inch of conditioned muscle, every degree of control. "Slow," I say, because this is my stage now, my terms. "I want to feel every inch." He approaches like a man approaching something sacred and dangerous, which is exactly right. His hands find my hips, thick fingers pressing into the muscle there, and I feel his surprise at the density of me, the way my body resists even as it yields. He guides himself to me, the head of him thick and hot against my entrance. I am ready. I am always ready. The first stretch is substantial, a flood of sensation that makes my breath catch, not in discomfort but in the pleasure of being filled completely. He pushes forward, slow as I demanded, and I feel every vein, every pulse of blood, every tremor of his restraint. "Jesus," he whispers, and his voice is already breaking. "You're so—" "Muscular," I finish for him, and laugh, the sound rippling through my core, making me contract around him. He gasps, his hips jerking involuntarily, and I feel him twitch inside me, the first warning of a control already fraying. "Tight," he tries again, and I squeeze deliberately, the trained muscles of my pelvic floor gripping him like a fist, and he moans, a sound torn from somewhere deep, animal and desperate. I lean close to his ear, my lips brushing the shell of it, my breath warm and steady where his comes in ragged bursts. "You're so screwed," I whisper, and giggle, the sound light and cruel and absolutely true. He pulls back, almost all the way out, and I feel the loss of him like a promise. Then he pushes forward again, finding a rhythm, missionary, basic, the position of beginners. I lie back on the desk—my desk—and let him work, my hips tilted to take him deeper, my hands resting lightly on his shoulders where the muscle bunches with effort. He lasts perhaps thirty seconds before I feel him swell, feel the tell-tale tension in his thighs, the way his breath hitches and stops. He pulls out with a cry, his cock jumping in the air between us, and I watch a single bead of pre-cum pearl at the tip, watch him fight himself back from the edge. "Almost," I say, and my voice is gentle, mocking, the tone a trainer uses with a failing student. "Try again." He enters me again, slower this time, learning his own limits. I feel him counting breaths, trying to distance himself from the sensation, but I am not a woman who allows distance. I roll my hips, a subtle movement that drags him against my front wall, and he chokes, his rhythm faltering. "Your pussy," he manages, the words broken by gasps. "It's—" "The best you've had," I supply, and contract around him again, rhythmic pulses that make his eyes roll back, make his hands scrabble for purchase on the desk's edge. "It's a volcano. I know. They all say that." He finds a rhythm again, pumping with more confidence now, longer strokes that fill me completely and withdraw to the brink of emptiness. I let him, tracking his progress in the tension of his jaw, the sweat beading on his forehead, the way his cock swells and subsides with each near-miss. I could end this now. A few more pulses of muscle, a few more words in his ear, and he would be finished, spent and shaking. But I want more. I always want more. "Stand up," I say, and push myself off the desk, dislodging him with a wet sound that makes him whimper. "Turn around." He obeys, dazed, his cock bobbing heavy and wet between his thighs. I position myself facing away from him, my hands on the desk, one leg bent and braced on the chair Marcus still occupies, the gun now forgotten in his lap. I am open to him, exposed, and I hear his breath catch at the sight. "From behind," I instruct. "Standing." He enters me with a groan that seems to come from his entire body, the angle different, deeper, hitting places that make my own breath stutter despite my control. I grip the desk's edge and push back against him, meeting his thrusts with counter-pressure, my glutes flexing with each movement. He tries to set a pace, but I am setting it, my body dictating the rhythm, the depth, the force. He grips my hips, his fingers digging into the muscle there, and I feel him trying to hold on, trying to anchor himself in something solid as the sensation threatens to sweep him away. "Can't—" he starts, and I know what he means. I feel him swelling, feel the vibration in his thighs where they press against mine. "Pull out," I say, and he does, too grateful for the reprieve to question. I hear him breathing behind me, harsh and ragged, feel the heat of him radiating against my back. I turn, smooth and unhurried, and lean back against the desk. My camisole has ridden up, torn silk framing my breasts, my nipples hard from exertion and amusement. I am slightly sweaty now, a sheen on my chest and stomach, the glow of effort making my skin luminous. "Again," I say, and spread my legs. He comes to me, desperate, and I guide him in with one hand, feeling him slide home with a wetness that is half him, half me, the evidence of our prolonged collision. He settles into me, missionary again, my legs wrapped around his waist, my heels digging into the small of his back. He tries to increase his speed, to find the friction that will end this, and I let him, tracking his desperation in the wildness of his eyes. Then I squeeze, a long, slow contraction of muscle that grips him from base to tip, and he cries out, pulling out with a violence that makes me laugh, the sound bright and cutting. More cum dribbles onto my stomach, onto my breasts, warm and thin from the earlier near-releases. He is leaking constantly now, his control in tatters, his huge cock bobbing helplessly as he fights for composure. "Fire," he breathes, looking down at me, at the mess he's making, at the woman who is untouched beneath him. "You're fucking fire." I smile, slow and knowing, and reach for him, pulling him back into me. He enters with a sob of relief, and I settle him deep, my muscles fluttering around him in a rhythm I control absolutely. "Sit," I say, and push against his chest. He stumbles back, finds the chair Marcus has vacated—Marcus who watches now with the gun forgotten, with the camcorder still recording, with the dawning understanding that he has made a terrible mistake. Dwayne collapses into the leather, his cock standing upright, glistening and desperate. I follow him, straddling his lap, guiding him into me as I settle my weight. The fullness is exquisite, the angle perfect, his face level with my breasts where his earlier emissions still gleam. I place my hands on his shoulders and begin to move. Not slowly. I have been patient, but patience has its limits. I bounce, hard, my thighs—conditioned by thousands of hours on the track—driving me up and down with piston precision. He groans, his head falling back, his hands coming to my waist and then falling away, unable to guide what he cannot control. I grind against him on each descent, circling my hips to drag him against my walls, then rising to drop again, the impact making my breasts bounce, making the torn silk of my camisole flutter. I squeeze with each upward movement, creating suction that makes him gasp, makes his hands spasm against the chair's arms. "Best," I breathe, the word punctuating my rhythm. "Pussy. You've. Had." He nods, frantic, unable to speak, his face contorted with the effort of holding back. I increase my pace, the muscles of my calves and thighs burning with the exertion, the good burn of work well-done. My hair has come loose, falling around my shoulders in waves that brush his face as I move. I bounce for minutes, truly, counting them in the thud of my heart, the strain in his expression, the wet sounds of our collision filling the room. He tries to thrust up to meet me, but I press down with my weight, pinning him, controlling the depth and angle absolutely. His hands find my hips again, trying to still me, and I laugh, the sound breathless now with my own exertion, and squeeze harder, a sustained contraction that makes him cry out, makes his hips buck helplessly beneath me. "Can't—" he manages, and I know this is the end, know it in the way his cock swells impossibly larger, the way his thighs tense to stone beneath me. I rise up, dislodging him with a wet pop, and drop to my knees between his spread thighs. His cock jumps in my hand, huge and purple and desperate, and I aim it at my chest, at my breasts still framed by torn silk, at the skin that has driven him to madness. He cums with a sound like breaking, a ragged cry that tears from his throat as he spends himself across my tits, warm and thick and copious, the product of an hour's denial. I watch it spatter, feel it land, continue working him with my hand until he is dry, until he is shaking, until his head falls back against the chair and he goes limp, utterly spent. I sit back on my heels, looking down at myself, at the mess of him across my chest, at the evidence of his complete submission. I laugh, the sound light and satisfied, the laugh of a woman who has proven what she already knew. "I told you," I say, and rise, finding my trousers, my heels, the bag with the recording device that has captured all of this, that will ensure Marcus never tries such foolishness again. The money is on the desk, double what was agreed, placed there by Marcus while I was busy breaking his weapon. I count it without interest, stuff it into my bag, and dress with the efficiency of someone who has done this a hundred times, who will do it a hundred more. An hour since I entered. The sun has shifted in the windows, the afternoon aging into evening. I walk to the door, pause with my hand on the handle, and look back at the two men—one broken in a chair, one broken standing beside him with a useless gun. "Nice try, boys," I say, and the door closes behind me with a click that sounds like finality, like the end of a game they were destined to lose. The elevator takes me down. The car waits. I settle into the leather seat and direct the driver to the yacht, to Sean, to the evening that stretches before me like a promise. The cum on my chest has dried to a film beneath my clothes, a secret weight, a reminder of what I can do, what I am. I pull out my phone, text Sean: On my way. Save me a drink. The city passes in golden light, the day ending, the night beginning, everything exactly as I arranged it. |
| The Following User Says Thank You to barnstorm15 For This Useful Post: | ||
|
#2
|
|||
|
|||
|
My hips roll forward with the rhythm of a piston, thighs burning with the familiar fire of a final sprint. The leather of Dwayne's executive chair creaks beneath us, its hydraulic lift hissing each time I drop my weight. His cock fills me completely—thick, veined, pulsing with the desperation of a man who thinks he's being given a second chance.
"Fuck, Odete," he groans, head thrown back against the headrest, his massive hands gripping the armrests like he's bracing for impact. "You feel—fuck—you feel incredible." I don't answer. My focus is on the window behind him, where the Miami sky bleeds from amber into violet, the sun fat and lazy as it sinks toward the horizon. Fifteen minutes. That's all I've budgeted for this. A quickie in every sense—efficient, purposeful, devoid of the theatrical flourishes men like Dwayne expect from women they underestimate. I rise slowly, feeling every ridge of him slide through my swollen c*nt, then sink back down with controlled precision. My inner muscles stay deliberately relaxed, loose, offering no resistance. He groans louder, mistaking my restraint for enthusiasm. "You're not like yesterday," he pants, eyes half-lidded, sweat beading on his forehead. "Yesterday you were—fuck—tight. Ruthless. This is... this is better." I tilt my head, letting my hair cascade over one shoulder, the picture of contrition. "I wanted to make it up to you." My voice drops to something honeyed, almost vulnerable. "What I did... leaving you like that. It wasn't right." His chest swells. Men are so predictable when you feed their egos—starving dogs offered scraps. "Yeah," he manages, thrusting upward weakly, trying to meet my rhythm. "Yeah, you were pretty cold." "I can be warm." I smile, slow and conspiratorial, and squeeze just enough to make him gasp. Not enough to challenge him. Just enough to maintain the illusion that he's affecting me, that his mediocre stamina is somehow transforming my body around him. "I can be whatever you need." The lie tastes like copper on my tongue. What I need is information. What I need is for Marcus Vance to stop being a shadow in my peripheral vision and become something I can grasp, analyze, dismantle. Dwayne is merely the shortest path between those points. I establish a steady cadence—rise, fall, rotate my hips in a tight circle, repeat. The motion is athletic, economical, the same muscle groups I use in the blocks before a sprint. My quadriceps burn pleasantly. My glutes engage with each descent. It's a workout dressed in seduction, and Dwayne is too lost in the sensation to notice the calculation behind my eyes. "Tell me about Marcus," I say, casual as asking about the weather. My pace doesn't falter. If anything, I slow slightly, drawing out the friction, making him work for each inch. Dwayne's brow furrows. "What?" "Marcus." I roll my hips forward, grinding my pelvis against his, feeling his pubic bone press against my clit with just enough pressure to keep me present in my body. "Your boss. The man with the gun and the camcorder. What's his story?" "Why do you care?" His hands leave the armrests, reaching for my waist. I catch his wrists and pin them back, my grip deceptively gentle. "Curiosity." I squeeze, just a flutter, and he shudders. "I like to know who I'm dealing with. Professional courtesy." Dwayne laughs, breathless. "Professional. Right." But he doesn't resist my hold on his wrists. "Marcus is... he's connected. Old money, new money, doesn't matter. He knows people." Vague. Useless. I need specifics—names, dates, vulnerabilities. I need the architecture of his operation, not watercolor impressions. "Connected how?" I ask, and this time I don't squeeze. I release completely, my c*nt soft and yielding around him, and the sudden lack of resistance makes him groan with frustration. "Don't—don't stop doing that thing—" "What thing?" I rise almost to the tip, hovering there, letting him feel the cool air where my heat used to be. "This?" "Fuck." His hips buck upward, seeking me. "The squeezing. Do that again." I descend slowly, torturously, and clamp down with genuine force. His eyes roll back. "Marcus," I remind him, my voice still light, still playful. "How is he connected?" "Drugs," Dwayne gasps. "Imports. He's got a pipeline through the port, customs agents on payroll." Another squeeze, harder this time, and his words stumble. "But that's—that's not the real money. Real money's in... in information. He sells what people don't want known." Blackmail. Extortion dressed in respectability. It fits the profile—Marcus Vance with his pressed suits and his voice that cracked when he threatened me, playing at hardness while his hands shook around the gun. "Who does he sell to?" I ask, and now I establish a rhythm designed to fracture concentration—three quick rises and falls, each accompanied by a sharp, rhythmic squeeze, then a pause, then three more. Dwayne's breathing becomes ragged, his chest heaving beneath his unbuttoned shirt. "Anyone. Everyone." He tries to thrust upward to meet me, but I control the depth, the angle, the tempo. "Politicians. CEOs. He—fuck—he's got files. Videos. Recordings." The recording device in my bag suddenly feels heavier, more significant. If Marcus trades in secrets, then secrets are currency. And currency is something I understand intimately. "Where does he keep them?" I squeeze again, maintaining the pressure, feeling his cock twitch inside me, the telltale swelling that precedes orgasm. I ease off immediately, returning to my loose, accommodating rhythm, denying him the friction he needs to finish. "I don't—" Dwayne's face contorts with frustration, with the desperate edge of a man being kept at the precipice. "I don't know. Somewhere secure. He's paranoid about it." Not enough. I need a location, an access point, a crack in the fortress. I lean forward, letting my breasts brush against his chest through the torn silk of my camisole, and whisper against his ear: "Think harder." My pelvic floor contracts with sustained pressure, a vise of muscle and intent. Dwayne's back arches off the chair, his pinned wrists straining against my grip. "His—his place," he stammers. "The tower. Downtown. 47th floor, penthouse suite. Biometric locks, armed guards, but the servers—fuck—the servers are in a room behind the bedroom. Hidden panel. Voice-activated. His mother's maiden name." The information flows like water from a cracked dam, each squeeze extracting another drop. I memorize it instantly—47th floor, biometric locks, voice activation, the pathetic security of a man who thinks family names hold power. It's more than I expected. More than I needed, perhaps, but excess has never been a problem for me. "Thank you, bad boy," I murmur, and the teasing lilt in my voice is genuine now, delighted by his predictability. I release his wrists and sit back, planting my palms on his knees for leverage, and begin to move in earnest. The change is immediate and brutal. Where before I was a slow tide, now I am a breaking wave—hips snapping forward and back with the explosive power of a sprinter leaving the blocks. The chair rocks on its base, casters squealing against the marble floor. My thighs slap against his with each descent, the sound sharp and wet and obscene. "Jesus—Odete—" Dwayne's hands fly to my hips, fingers digging into flesh, trying to slow me or steady me or somehow control what I've unleashed. I knock them away and grab his wrists again, pinning them above his head against the leather, using the position to angle my thrusts deeper, harder, more relentless. This is what I withheld. This is what I measured out in teaspoons while he mistook my restraint for affection. My body becomes a machine of friction and force, each movement calculated to overwhelm, to short-circuit whatever remains of his cognition. The torn silk of my camisole slips off one shoulder, exposing the bite mark from yesterday's encounter—Sean, the yacht, the text that started this chain of events. I don't cover it. Let Dwayne see. Let him understand, however dimly, that he is one thread in a larger tapestry. "You're—fuck—you're incredible—" He's babbling now, reduced to syllables and exhalations. His cock swells inside me, the pulse of impending orgasm unmistakable. I don't slow. I don't grant him the mercy of variation. I maintain the punishing rhythm, the mechanical precision of a piston in an engine running at redline. "Damn," he manages between gasps, and there's laughter in his voice, the delirious humor of a man who thinks he's won something. "Damn, you should be giving me payment for this." I stop. Mid-thrust, full penetration, my hips frozen in their arc. The sudden stillness is violent, a slammed door. Dwayne's eyes snap open, confusion warring with desperation on his face. "What—why—" I reach behind me, into the heavy bag I never fully set down, and withdraw the replica I keep for situations exactly like this. The weight is wrong—too light, the balance slightly off—but in the dimming light of his office, with his blood pooled south and his mind scrambled by interrupted arousal, Dwayne doesn't notice. I press the barrel against his forehead. Cold metal against fevered skin. "I'm not a hooker," I say. My voice is level, conversational, as if commenting on the weather. "I don't take payment. I don't give refunds. And I certainly don't appreciate being spoken to as if my body is a transaction." Dwayne's throat works. His cock twitches inside me, a confused reflex, arousal and fear performing their strange alchemy in his nervous system. "I was joking," he whispers. "Jesus, Odete, it was a joke. You have to learn to take a joke." I consider this. The gun remains steady, my arm extended, my other hand still pinning his wrists. The position is awkward, athletic, demanding—my thighs burn with the sustained squat, my core engaged to maintain balance. I could hold it for hours. I have held worse positions for longer. "You're right," I say, and I smile. The expression reaches my eyes, I know, because I feel the small muscles around them contract, the slight lift of my cheeks. It's the smile I use in photographs, the one that makes people think they've seen something genuine. "I should learn to take a joke." I release his wrists. I holster the fake gun in my bag with one smooth motion. And then I finish what I started. My hips snap forward with the full force of my training, the explosive power that won me European titles, that still makes coaches shake their heads in disbelief when they clock my times. The chair skids backward across the marble, fetching up against the desk with a crack that makes the camcorder jump. I don't stop. I ride the recoil, using it, transforming the instability into momentum. Three thrusts. Five. Seven. Each one a statement, a punctuation mark, a period at the end of a sentence Dwayne didn't realize he was reading. His orgasm hits like a seizure—back arching, mouth open in a silent scream, cock pulsing in rhythmic waves that I feel with perfect clarity through my swollen, spread c*nt. He comes hard, copiously, the wet heat of it filling me even as I continue to move, milking him with deliberate contractions, squeezing now with genuine force, the technique I denied him for fifteen minutes unleashed in thirty seconds of extraction. When he collapses, boneless and gasping, I don't dismount immediately. I reach into my bag again, past the fake gun, past the recording device, to the taser I keep charged and ready. The contacts press against his neck with the intimacy of a lover's kiss. "You are such a fool," I tell him, and my voice holds no heat, no particular investment. Merely observation. "Don't ever fuck with me again." The discharge is brief, controlled. His body jerks once, twice, then goes limp beneath me. I wait a moment, feeling his cock soften and slip from my body, feeling the mingled fluids begin to cool on my thighs. His breathing is steady, unconscious, peaceful. I rise. My legs tremble slightly—the aftereffect of sustained exertion, not weakness. I smooth my camisole back into place, noting that the tear has widened, exposing more of my collarbone, more of the bite mark. I don't care. Let Sean see. Let him ask. The truth is a weapon I deploy selectively, and tonight I feel generous with ammunition. My trousers are where I left them, d****d over the arm of the leather sofa. I step into them, fasten them with practiced efficiency, and slide my feet back into my heels. The transformation is immediate—naked athlete to clothed predator in ninety seconds. I retrieve the recording device from my bag, check that it's still running, and pocket it. Evidence, insurance, entertainment for later review. The uses are manifold. Dwayne snores softly in his chair, chin on chest, hands fallen to his sides. I consider the camcorder on his desk, its red eye still blinking. I could take it. Could destroy the footage, or copy it, or use it as leverage in some future negotiation. Instead, I leave it running. Let Marcus see what his enforcer cost him. Let him understand that his threats are theater, his power illusory, his secrets already compromised. I walk to the window. The sun has nearly set now, the last arc of it bleeding into the Atlantic, turning the water to hammered bronze. My reflection overlays the view—tall, composed, slightly disheveled in a way that suggests activity rather than disorder. I meet my own eyes in the glass and find them calm, almost bored. The smile comes unbidden, small and private, shaking my head at the absurdity of what I've just done. Not regret—never regret. But annoyance, certainly. Annoyance that I had to spend fifteen minutes of my afternoon on a man who couldn't last thirty seconds when pressed. Annoyance that Marcus Vance, with all his connections and his files and his voice that cracked when threatened, has built his empire on foundations this easily shaken. I turn from the window. The office is silent except for Dwayne's breathing and the distant hum of the building's climate control. My bag hangs heavy on my shoulder, weighted with technology and false weapons and the money Marcus left on my desk—double payment, he called it, for breaking his man. I take it anyway. Let him wonder if I was ever truly tempted by his offer, if there was a moment when I considered genuine betrayal rather than strategic performance. The elevator waits where I left it, doors open, patient as a held breath. I step inside and press the button for the lobby. As the doors close, I catch one last glimpse of Dwayne—sprawled, spent, unconscious in his executive chair—and the sunset beyond him, the city catching fire in the dying light. |
![]() |
| Thread Tools | Search this Thread |
|
|