Continuing the story from last time...
"Okay, here goes," she says. "Rolling!" Sound of film whirring in the camera starts. "And... action!"
Her friend/actor/whoever he was to her does what he had been instructed and starts moving his face around a little bit in front of her pussy. I can't see his view from where I'm standing behind camera, of course, but I can't imagine it was anything other than just her vagina lips from an inch or two away. She makes moaning noises (though the film was silent - indeed, there was no sound-capturing equipment on set of any kind - I guess she wanted the proper moaning mouth noises), clenches and unclenches her hands and writhes her body a little. The camera's view of her pubes is covered by arched-up-and-over right leg, but he is leaning down, and I am standing up, and I can see just the hint of black pubic hair over the top of her legs.
The only sound in the room for the next twenty or so seconds was her moans and the whir of the 16mm film in the camera. And if you're wondering what it's like to be standing in your classmate's actual childhood bedroom watching her, bottomless, pretending to get eaten out by a guy, let me tell you: Super weird, super awkward, but undeniably exciting. I never would have thought of this chick in a sexual context before, but I felt the little hints of a boner starting to emerge. I fought it down, but it was a close one.
"Cut!" she says, stops clenching and moaning and writhing, and props herself up on her elbows. "Any problems with the shot?" she asks to me and camera. We both say everything seems fine, and she says, "Ok, one more take," (each student only had a pretty limited supply of 16mm film for each project in this class, so takes were always limited to one or two if at all possible), "Rolling, and action!" And her friend leans forward and pantomimes eating her pussy again for about fifteen seconds, then cut again.
"Ok, let's move on to shot 4," she says, "With the camera on the opposite side towards the door. Then we'll do the close ups." Camera guy moves the camera, I change lights a little to get them out of shot. She tells her actor that when she calls action to sit up and look towards the door, and she'll sit up on her elbows and do the same, then calls rolling and action, and they do their action.
After she says cut, camera says "Hang on, wait a second. I could see your bush when he moved his head away and you sat up." (He was right, I saw it too.) "Oh, thanks," she says, and lifts her left leg higher. We go again, and then she says let's move on. She grabs the camera to personally film the shot of the guy's head moving, which we quickly take in one ten-second shot (which she says she'll only use about 1-2 seconds of). Then she tells the actor he can stand up and reaches down and pulls her top back down to mid-thigh level, then camera basically kneels on the bed holding the camera over her while I lean a light over for the shot of her face. And that was that for the pussy-eating!
Then she went and changed back in the bathroom, and I applied the fake blood around the actor's mouth for the period joke and we filmed the final four shots of the movie over the next hour or so. First, the director and the guy walking down the hallway together, then three shots at the dinner table: A wide shot of her parents sitting at the table and them sitting down, then a two-shot of the parents seeing the blood and a two-shot of her and the guy and his bloody face. And that was it, back in the car and back to the city!
(As for if she had told her parents that this short film they were co-starring in was about her having her pussy eaten, I have no idea, really. I assume so, because how else would she explain the bloody mouth gag to them? But I never saw that conversation; all she said to them in front of me was directions, "Ok, sit there," "Ok, look here," stuff like that. As soon as they were done with their shots they went to bed, it was like 10pm.)
I was of course sitting in class a few days later when this project was screened on on a big screen taking up the whole wall to all 40-ish students in there. There was a lot of giggles and gasps when the film opened on a girl being eaten out (as I mentioned before, no pubes or pussy in frame, but definitely side-ass), and more giggles and gasps still when the shot revealed it was none other than the director herself! I guess she either decided she didn't need the shot of him between her legs or it was too graphic; the only three shots from the bedroom scene in her cut were the two from either side and her face.
Like I said, she wasn't that pretty a girl, but the sheer exhibitionism of it (both on set and screening it) was honestly pretty sexy one way or another. We were never good friends, but I saw her around school plenty and shared a couple bigger lecture classes with her and we were always on a saying-hello basis over the next three years. And I assure you, every single time I saw and spoke to her, the first thing I thought of was the time freshman year I watched her bottomless, getting eaten out.
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