[rusty60]

Mondizi

OK by the number of responses we seem to have a bit of interest in this theme.

First to answer your identification query.
The girls you are enquiring about are all from the Uzyna Uzona Tribe Femina.

The Teatro Oficina official site is the best source for getting individual actors and actresses names in each play. Try Leticia Coura for starters.

Another good source of actresses names is :
hemisphericinstitute.org
and search for - 799-oficina-sertoes-homem-1 (sorry but I cannot yet post full links)

Although it does not cover the latest productions the cast is mostly the same in all the recent productions.

Go to GOOGLE Images and type in her name and Macumba or Teatro Oficina or Atriz and you will get more shots of her in various productions as well as Macumba.

***** BANNED LINK REMOVED *****

A bit more on the Rebellion short film.
This is only a short section of the first of two acts of O HOMEM 1 which lasted variously around 5 hours depending on the actors and audience interaction. This performance was for the purpose of the visiting film maker and hence just a shortened version (précis) of the seeding scene.

Normal performances during the season varied depending on whether the man could produce an erection and thus be able to perform the penetration for the full length of the seeding scene. The problem here is similar to the Cacilda masturbation scene where for most performances not all the actors could achieve and maintain an erection and ejaculate on queue with the music for every performance.

Here the actor could not be sure of always achieving and maintaining an erection on queue so the music needed to be flexible in duration but not seem repetitive. If he failed to achieve erection then the music could be shortened whereas if he succeded in producing an erection and penetrating the Earth Maiden then the accompanying music (a simple primative rhythm) could then be continued as long as his copulating movements were rhythmic and only rising to a rapidly increasing tempo as he approached ejaculation, leaving his seed inside the Earth Maiden (symbolizing planting seeds in the virgin soil), and then dying down as he withdrew to display a now smaller post-coital penis as evidence of successful fertilisation. He then sat to wait until the soil then gave forth food (maize cobs) but after three seasons the soil was barren and so he moved on.

Some production had multiple Indians seeding the soil and devastating it even faster.
The Os Sertoes plays have been performed all over Brasil with Government and Petrobras sponsorship and overseas as far as Germany and Croatia under international promotions.

As OHOMEM 1 is about the mixing of all races with the arrival of the European conquerors and the African slaves there is much emphasis on both the culture and class conflict and the interbreeding between all three groups to produce what is now the Brasilian type. Hence this play has a strong theme of inter-racial relationships and thus plenty of copulation and of course much more nudity in the process.

Here are some photos of interracial breeding and conflict. I will post more photos of this theme as they come to hand and also film clips once I get the DVDs.